Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0744 [2024/06/30 17:37] – xaverkainzbauer
+++ an_indiv:0744 [2024/11/23 22:34] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0011|IN]] [[grad:0165|GR]] [[grad:0465|TR]] [[grad:0323|AL]] [[grad:0479|OF]] [[grad:0613|CO]]
 <fc #ffffff>xxxxx</fc>
-[[0001|1️⃣]] ✅ [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]]  [[0004|8️⃣]]
+[[0001|1️⃣]] ✅ [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
 <fc #ffffff>xxxxx</fc>
-**<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]]  [[alia:alia|alia]]
+**<fc #BD0C11>AN</fc>** [[ant:7002|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
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@@ Zeile 9: / Zeile 9: @@
 {%syn:title:ant:0744%}
-[[ant:0744|↖️]]
-**[[cento_an:2inc_cad|2INC cad]]**\\
+[[0720]] ⟽ **[[cento_an:2typ|AN 2]]** ⟾ [[0792]]
+[[ant:0744|⏹️]] [[rp_hmr:0744|🔄]]
+-------
+**[[cento_an:2inc_cad#3|2INC cad]]**\\
 **[[formulae:solmido#asc|FML SolMiDo]]** transposita.\\
-**[[cento_an:1med_triv#vpr|1MED triv]]**
+**[[cento_an:1med_triv#m4|1MED triv]]** M +\\
+**[[formulae:solmido#cad|FML SolMiDo]]** transposita.\\
-**[[cento_an:1ter_conc|1TER conc]]** ad "do": [[formulae:colon]]\\
+**[[cento_an:1ter_conc#5|1TER conc]]** 'falsche' Betonung + ad "do": [[formulae:colon]]\\
-**[[cento_an:2ter_brv|2TER brv]]**\\
+**[[cento_an:2ter_brv#2|2TER brv]]**\\
 Diese Antiphon spielt mit dem 'Dreiklang' " discipulos" und "a-scendit in".\\
@@ Zeile 23: / Zeile 27: @@
 (vide et AL*IV "Ascendit deus" [[grad:0294]].   Das "si" auf "as**cén**dit" ist pure Textausdeutung.
 -------
 ● Jesus nahm seine Jünger mit sich und stieg auf einen Berg  \\
 und wurde vor ihnen verwandelt.
@@ Zeile 30: / Zeile 33: @@
 and was transformed before them.\\
 -------
+**[[cento_an:2inc_cad#3|2INC cad]]**\\
+**[[formulae:solmido#asc|FML SolMiDo]]** transposita.\\
+**[[cento_an:1med_triv#m4|1MED triv]]** M +\\
+**[[formulae:solmido#cad|FML SolMiDo]]** transposita.\\
+**[[cento_an:1ter_conc#5|1TER conc]]** 'wrong' emphasis + ad "do": [[formulae:colon]]\\
+**[[cento_an:2ter_brv#2|2TER brv]]**\\
+This antiphon plays with the 'triad' " discipulos" and "a-scendit in".\\
+<fc #4682b4>"discipu-//los///"</fc> the kPes must follow in unison. Only T1 (?) and Wc speak in favour of a separate first tone.\\
+<fc #4682b4>"et as-///cen//-dit in montem"</fc> The summit tone must be an "si", contrary to all sources that can write accidentals. Here, tritone phobia stands against the sweetness of the diminished fifth.
+(vide et AL*IV "Ascendit deus" [[grad:0294]].   The "si" on "as**cén**dit" is pure textual interpretation.
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 {%syn:analyse:ant:0744%}