an_indiv:1098
Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung | ||
| an_indiv:1098 [2024/06/06 21:37] – xaverkainzbauer | an_indiv:1098 [2024/11/24 17:09] (aktuell) – xaverkainzbauer | ||
|---|---|---|---|
| Zeile 9: | Zeile 9: | ||
| {%syn: | {%syn: | ||
| - | [[ant: | ||
| + | [[1086]] ⟽ **[[cento_an: | ||
| + | [[ant: | ||
| + | ------- | ||
| + | {{ : | ||
| + | **[[cento_an: | ||
| + | **[[cento_an: | ||
| + | **[[cento_an: | ||
| + | [[neumen: | ||
| + | **[[formulae: | ||
| + | **[[cento_an: | ||
| + | [[formulae: | ||
| + | **[[cento_an: | ||
| + | **[[cento_an: | ||
| + | Diese Antiphon zitiert systematisch den Modus Q. Damit wird der QuartPes zum prägenden Intervall. Die gregorianischen Melodien leben von der fallenden Linie vom Ténor zur Finalis (" | ||
| + | In der zweiten Zeile eröffnet der QuartPes von qNOV " | ||
| ------- | ------- | ||
| Zeile 21: | Zeile 35: | ||
| ● Are you the only stranger who has not heard of Jesus, \\ | ● Are you the only stranger who has not heard of Jesus, \\ | ||
| - | whom they have arrested and condemned to death, hallelujah? | + | whom they have arrested and condemned to death, hallelujah?\\ |
| + | ------- | ||
| + | |||
| + | {{ : | ||
| + | **[[cento_an: | ||
| + | **[[cento_an: | ||
| + | **[[cento_an: | ||
| + | [[neumen: | ||
| + | **[[formulae: | ||
| + | |||
| + | **[[cento_an: | ||
| + | [[formulae: | ||
| + | **[[cento_an: | ||
| + | **[[cento_an: | ||
| + | |||
| + | This antiphon systematically quotes the Q mode. This makes the quartal Pes the dominant interval. Gregorian melodies are characterised by the falling line from the tenor to the finalis (" | ||
| + | In the second line, the QuartPes of qNOV opens " | ||
| ------- | ------- | ||
| + | {%syn: | ||
an_indiv/1098.1717702639.txt.gz · Zuletzt geändert: (Externe Bearbeitung)
