| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung |
| an_indiv:0169 [2024/05/31 15:01] – xaverkainzbauer | an_indiv:0169 [2024/11/12 17:58] (aktuell) – xaverkainzbauer |
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| {%syn:title:ant:0169%} | {%syn:title:ant:0169%} |
| [[ant:0169|↖️]] | |
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| | [[0168]] ⟽ **[[cento_an:8typ|AN 8]]** ⟾ [[0171]] |
| |
| –––––––– | [[ant:0169|⏹️]] [[rp_hmr:0169|🔄]] |
| | ------- |
| | **[[cento_an:8inc_ad1|INC ad1]]** \\ |
| | **[[cento_an:1med_triv|1MED triv]]** + [[formulae:colon]]\\ |
| | |
| | **[[cento_an:8inc_ad1|INC ad1]]** |
| | **[[cento_an:8med_cad|8MED cad]]**\\ |
| | **[[cento_an:8ter_dela|8TER de la]]** \\ |
| | **[[cento_an:8ter_katab|8TER katab]]** + |
| | [[formulae:supra#fml_supra]]\\ |
| | |
| | Eine geniale Komposition: Die beiden [[neumen:litterae#c_st_x|exspectare]] gliedern den Text so:\\ |
| | "Gloria in excelsis deo /<fc #ff0000>**x**</fc> et in terra pax /<fc #ff0000>**x**</fc> hominibus bonae voluntatis alleluia alleluia.“ \\ |
| | Der Melodieverlauf gliedert etwas anders:\\ |
| | "Gloria in excelsis deo /<fc #ff0000>**:**</fc> et in terra pax hominibus bonae voluntatis /<fc #ff0000>**.**</fc> - álleluia alleluia.“ Das "alleluia" ist bloß nachgestellt.\\ |
| | Höhepunkt (höchster Ton) der Antiphon ist "ho-//mí//-nibus". \\ |
| | <fc #4682b4>"et in ter-//ra// pax"</fc> der kPes macht die Silbe zur Binnensilbe eines PPO: "et in **tér**ra pax"\\ |
| | <fc #4682b4>"bonae **vó**lun**tá**tis"</fc>Der kPes liqueszens betont die [[formulae:alloq|FML alloquium]] vor und nach dem PseudoTrc. |
| | ------- |
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| ● Ehre sei Gott in der Höhe \\ | ● Ehre sei Gott in der Höhe \\ |
| ● Glory to God in the highest \\ | ● Glory to God in the highest \\ |
| and on earth peace to men of good will, alleluia, alleluia. | and on earth peace to men of good will, alleluia, alleluia. |
| | |
| | ------- |
| | **[[cento_an:8inc_ad1|INC ad1]]** \\ |
| | **[[cento_an:1med_triv|1MED triv]]** + [[formulae:colon]]\\ |
| | |
| | **[[cento_an:8inc_ad1|INC ad1]]** |
| | **[[cento_an:8med_cad|8MED cad]]**\\ |
| | **[[cento_an:8ter_dela|8TER de la]]** \\ |
| | **[[cento_an:8ter_katab|8TER katab]]** + |
| | [[formulae:supra#fml_supra]]\\\ |
| | |
| | An ingenious composition: the two [[neumen:litterae#c_st_x|exspectare]] divide the text like this:\\ |
| | “Gloria in excelsis deo /<fc #ff0000>**x**</fc> et in terra pax /<fc #ff0000>**x**</fc> hominibus bonae voluntatis alleluia alleluia.” \\ |
| | The melody is structured somewhat differently:\\ |
| | “Gloria in excelsis deo /<fc #ff0000>**:**</fc> et in terra pax hominibus bonae voluntatis /<fc #ff0000>**.**</fc> - álleluia alleluia.” The “alleluia” is merely a postposition.\\ |
| | The climax (highest note) of the antiphon is “ho-//mí//-nibus”. \\ |
| | <fc #4682b4>“et in ter-//ra// pax”</fc> the kPes makes the syllable the internal syllable of a PPO: “et in **tér**ra pax”\\ |
| | <fc #4682b4>“bonae **vó**lun**tá**tis”</fc>The kPes liquesces the [[formulae:alloq|FML alloquium]] before and after the pseudoTrc. |
| | ------- |
| | {%syn:analyse:ant:0169%} |