| Nächste Überarbeitung | Vorhergehende Überarbeitung |
| an_indiv:0169 [2024/05/31 06:27] – angelegt xaverkainzbauer | an_indiv:0169 [2026/06/19 17:51] (aktuell) – xaverkainzbauer |
|---|
| [[cento:centologia#centones_antiphonarum|🔘]] [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]] | [[cento:centologia#centones_antiphonarum|🔘]] [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]] <fc #ffffff>xxxxx</fc> |
| <fc #ffffff>xxxxx</fc> | |
| [[0001|1️⃣]] [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] ✅ | [[0001|1️⃣]] [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] ✅ |
| <fc #ffffff>xxxxx</fc> | <fc #ffffff>xxxxx</fc> **<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]] [[alia:alia|alia]] |
| **<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]] [[alia:alia|alia]] | |
| ------------------ | ------------------ |
| |
| [[0168]] ← → [[0170]] | [[0168]] ← → [[0170]] |
| |
| {%syn:title:ant:0169%} | {%syn:title:ant:0169%} |
| [[ant:0169|↖️]] | [[0168]] ⟽ **[[cento_an:8typ|AN 8]]** ⟾ [[0171]] <fc #ffffff>xxxxx</fc> |
| | [[ant:0169|⏹️]] [[rp_hmr:0169|🔄]] |
| | ------- |
| | **[[cento_an:8inc_ad1|INC ad1]]** \\ |
| | **[[cento_an:1med_triv|1MED triv]]** + [[formulae:colon]]\\ |
| | |
| | **[[cento_an:8inc_ad1|INC ad1]]** |
| | **[[cento_an:8med_cad|8MED cad]]**\\ |
| | **[[cento_an:8ter_dela|8TER de la]]** \\ |
| | **[[cento_an:8ter_katab|8TER katab]]** + |
| | [[formulae:supra#fml_supra]]\\ |
| | |
| | Eine geniale Komposition: Die beiden [[neumen:litterae#c_st_x|exspectare]] gliedern den Text so:\\ |
| | "Gloria in excelsis deo /<fc #ff0000>**x**</fc> et in terra pax /<fc #ff0000>**x**</fc> hominibus bonae voluntatis alleluia alleluia.“ \\ |
| | Der Melodieverlauf gliedert etwas anders:\\ |
| | "Gloria in excelsis deo /<fc #ff0000>**:**</fc> et in terra pax hominibus bonae voluntatis /<fc #ff0000>**.**</fc> - álleluia alleluia.“ Das "alleluia" ist bloß nachgestellt.\\ |
| | Höhepunkt (höchster Ton) der Antiphon ist "ho-//mí//-nibus". \\ |
| | <fc #4682b4>"et in ter-//ra// pax"</fc> der kPes macht die Silbe zur Binnensilbe eines PPO: "et in **tér**ra pax"\\ |
| | <fc #4682b4>"bonae **vó**lun**tá**tis"</fc>Der kPes liqueszens betont die [[formulae:alloq|FML alloquium]] vor und nach dem PseudoTrc. |
| |
| | Ehre sei Gott in der Höhe |
| | und auf Erden Frieden den Menschen guten Willens, Halleluja, halleluja. |
| | |
| | Glory to God in the highest |
| | and on earth peace to men of good will, alleluia, alleluia. |
| |
| –––––––– | |
| |
| ● | **[[cento_an:8inc_ad1|INC ad1]]** \\ |
| | **[[cento_an:1med_triv|1MED triv]]** + [[formulae:colon]]\\ |
| |
| ● | **[[cento_an:8inc_ad1|INC ad1]]** |
| | **[[cento_an:8med_cad|8MED cad]]**\\ |
| | **[[cento_an:8ter_dela|8TER de la]]** \\ |
| | **[[cento_an:8ter_katab|8TER katab]]** + |
| | [[formulae:supra#fml_supra]]\\\ |
| |
| | An ingenious composition: the two [[neumen:litterae#c_st_x|exspectare]] divide the text like this:\\ |
| | “Gloria in excelsis deo /<fc #ff0000>**x**</fc> et in terra pax /<fc #ff0000>**x**</fc> hominibus bonae voluntatis alleluia alleluia.” \\ |
| | The melody is structured somewhat differently:\\ |
| | “Gloria in excelsis deo /<fc #ff0000>**:**</fc> et in terra pax hominibus bonae voluntatis /<fc #ff0000>**.**</fc> - álleluia alleluia.” The “alleluia” is merely a postposition.\\ |
| | The climax (highest note) of the antiphon is “ho-//mí//-nibus”. \\ |
| | <fc #4682b4>“et in ter-//ra// pax”</fc> the kPes makes the syllable the internal syllable of a PPO: “et in **tér**ra pax”\\ |
| | <fc #4682b4>“bonae **vó**lun**tá**tis”</fc>The kPes liquesces the [[formulae:alloq|FML alloquium]] before and after the pseudoTrc. |
| | ------- |
| | {%syn:analyse:ant:0169%} |