| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung |
| an_indiv:0024 [2024/05/31 12:15] – xaverkainzbauer | an_indiv:0024 [2024/11/08 17:35] (aktuell) – xaverkainzbauer |
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| [[cento:centologia#centones_antiphonarum|🔘]] [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]] | [[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] |
| <fc #ffffff>xxxxx</fc> | <fc #ffffff>xxxxx</fc> |
| ✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0007|8️⃣]] | ✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]] |
| <fc #ffffff>xxxxx</fc> | <fc #ffffff>xxxxx</fc> |
| **<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]] [[alia:alia|alia]] | **<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]] [[alia:alia|alia]] |
| ------------------ | ------------------ |
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| {%syn:title:ant:0024%} | {%syn:title:ant:0024%} |
| [[ant:0024|↖️]] | |
| |
| | [[0018]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0026]] |
| |
| **[[cento_an:1inc_5pes|1INC 5Pes]]**. "//Éc//-ce //vé//-niet". Die Hauptaussage gleich am Beginn, 2akz/ +\\ | [[ant:0024|⏹️]] [[rp_hmr:0024|🔄]] |
| | ------- |
| | |
| | **[[cento_an:1inc_5pes|1INC 5Pes]]**. "//Éc//-ce //vé//-niet". Die Hauptaussage gleich am Beginn, 2acc/ +\\ |
| [[neumen:neuma#circulatio]] (applicatio = Zuneigung).\\ | [[neumen:neuma#circulatio]] (applicatio = Zuneigung).\\ |
| **[[cento_an:1med_triv|1MED triv]]**. Sehr kurzer Text, trotzdem zwei Akzente. Der Absturz zum "re" bildet\\ | **[[cento_an:1med_triv|1MED triv]]**. Sehr kurzer Text, trotzdem zwei Akzente. Der Absturz zum "re" bildet\\ |
| ● Behold, he comes, the God and man of the house of David, | ● Behold, he comes, the God and man of the house of David, |
| to sit on the throne, alleluia. | to sit on the throne, alleluia. |
| | ------- |
| | |
| | **[[cento_an:1inc_5pes|1INC 5Pes]]**. "//Éc//-ce //vé//-niet". The main statement right at the beginning, 2acc/ +\\ |
| | [[neumen:neuma#circulatio]] (applicatio = affection).\\ |
| | **[[cento_an:1med_triv|1MED triv]]**. Very short text, yet two accents. The crash to the "re" forms\\ |
| | [[formulae:colon]] and leads the antiphon, which began almost triumphantly, to the level of the 2nd mode. |
| | |
| | {{ :ant:0024_comm.jpg?300|}} |
| | |
| | **[[cento_an:2inc_cadad4|2INC cad ad4]]** sets two-accented texts, the first of which is not unimportant, but is surpassed by the second accent. "//dé// domo //davíd//" "//from// the house of David" (Hebrew words are always finalised). The torculus on the final syllable (and accented syllable) is nk (a sentence-ending torculus). It decorates the name "davíd", but can also be understood as "mere" syneresis, due to too few syllables.\\ |
| | **[[cento_an:2inc_cad|2INC cad]]** is the most frequent cento of the 2nd mode: the recitation "fa" is left on the accented syllable.\\ |
| | **[[cento_an:1ter_vadd|1TER v.add]]** ends the antiphon corresponding to the subsequent "alleluia". The syllable "//in// throno" should be a "fa" according to the cento, the variant with "sol" gives it more weight. |
| | |
| | {%syn:analyse:ant:0024%} |