Unterschiede

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--- rp_indiv:7255 [2025/02/17 09:01] – xaverkainzbauer
+++ rp_indiv:7255 [2025/02/17 09:03] (aktuell) – xaverkainzbauer
@@ Zeile 18: / Zeile 18: @@
 **[[cento_rp:cent_5d#i|D]]**
 accentus incipiens.
 === IP ===
@@ Zeile 26: / Zeile 25: @@
 **[[cento_rp:cent_5a#f|A]]**
 accentus finalis.
 === 3.Periode ===
@@ Zeile 51: / Zeile 49: @@
 and his days shall not be prolonged! That he may redeem those.
 -------
+There is not a single “sa” except in the INCCAD of CAD mega. Especially in the interpositum, the sultry character of the deuterus, which would be created by an “sa”, is completely out of place. A circulatio (“virgi-//ne//”) with a semitone at the top is hardly conceivable.
+=== 1st period ===
+**[[cento_rp:cent_5a#v|A]]**
+variatio.\\
+**[[cento_rp:cent_5o#f2|B]]**
+accentus finalis.
+=== 2nd period ===
+**[[cento_rp:cent_5c#v|C]]**
+variatio.\\
+**[[cento_rp:cent_5d#i|D]]**
+accentus incipiens.
+=== IP ===
+**[[cento_rp:cent_5c#if|C]]**
+accentus incipiens et finalis.  In TR (5th and 6th mode), this cento could be assigned to almost any of the internal centones ( C, D, E ). incipiens cum [[cento_an:2inc_cad#inc_cad|2INC cad]] from the off-antiphons.\\
+**[[cento_rp:cent_5a#f|A]]**
+accentus finalis.
+=== 3rd period ===
+**[[cento_rp:cent_5e#i|E]]**
+accentus incipiens.\\
+<fc #4682b4>“ut //e//-os”</fc> The transposition in T1 one tone lower is probably a reference to a “si-be-durum” after the si-be-molle on “sub //le//-ge”, which Wm avoids. All sources except T1 use the frame interval “sol-do” for “eos”.
+<fc #4682b4>“//re//-dimeret”</fc> after T1 with “si” (vide T2).\\
+**[[cento_rp:cent_5o#mn|F]]**
+cadentia minor.
+{%syn:analyse:ant:7255%}