Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- gr_indiv:0702 [2026/03/17 13:07] – xaverkainzbauer
+++ gr_indiv:0702 [2026/03/17 13:07] (aktuell) – xaverkainzbauer
@@ Zeile 22: / Zeile 22: @@
   but that you keep them from the evil one. Hallelujah, halleluja
+= RP ‘Pater cum essem’ [[ant:7560]]
+<fc #4682b4>‘//Pa//-ter’</fc> Bv and Mod align the Trc with the passage ‘nunc autem’, whilst A and Y retain the CAD formula:
+{{ :grad:0702_co_a-bv.png?300|}}
+<fc #4682b4>‘alleluia 1+3’</fc>
+The Alleluia 1 and 3 formula mi-sol-fa etc. is introduced in A with “mi”, in Bv with ‘re’. \\
+<fc #4682b4>‘alleluia 2’</fc> A is the sole source of the quart clivis ‘fa-do’. This subsequently leads to the low ‘B’ ( = “sa”). The tritone ‘sa-mi’ does not pose a vocal problem, because the mi-fa tension of the CO remains in the singer’s ear. The issue is obscured by the differing traditions in A and Bv regarding the introduction of Alleluia 1 and 3 (A: ‘mi’, Bv: ‘re’). However, the lectio difficilior of A speaks for itself. The “levare parvulum” in E is only comprehensible in relation to the “levare” of Alleluia 3.
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 {%syn:analyse:grad:0702%}