gr_indiv:0645
Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung | ||
| gr_indiv:0645 [2026/02/16 12:35] – xaverkainzbauer | gr_indiv:0645 [2026/02/16 12:56] (aktuell) – xaverkainzbauer | ||
|---|---|---|---|
| Zeile 36: | Zeile 36: | ||
| The three centones are composed individually rather than formally:\\ | The three centones are composed individually rather than formally:\\ | ||
| - | • “Egó vós elegi de mundo” descends from the tenor “la” to the final “re.” “Egó” and ‘vós’ lead to the highest note of the entire CO, “do,” thus exploiting the tonal range of the 1st mode (“do-do”).\\ | + | • “Egó vós elegi de mundo” descends from the tenor “la” to the final “re”. “Egó” and “vós” lead to the highest note of the entire CO, “do,” thus exploiting the tonal range of the 1st mode (“do-do”).\\ |
| • “ut eátis et fructum áffératis” tenor levels “sol - la - fa”. The CAD on ‘fa’ gives the movement a positive, joyful character, only to return to the seriousness of the 1st mode in the last cento:\\ | • “ut eátis et fructum áffératis” tenor levels “sol - la - fa”. The CAD on ‘fa’ gives the movement a positive, joyful character, only to return to the seriousness of the 1st mode in the last cento:\\ | ||
| • “et fructus vester maneat”. The CAD mega confirms the importance of the statement “máneat”. | • “et fructus vester maneat”. The CAD mega confirms the importance of the statement “máneat”. | ||
gr_indiv/0645.1771241734.txt.gz · Zuletzt geändert: von xaverkainzbauer