Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- gr_indiv:0164 [2026/03/23 09:44] – xaverkainzbauer
+++ gr_indiv:0164 [2026/05/02 16:53] (aktuell) – xaverkainzbauer
@@ Zeile 10: / Zeile 10: @@
 <fc #ffffff>xxx</fc> GT 404 - GrN 1/382 - BzG 37/11 <fc #ffffff>xxx</fc> cf. **didym**: [[0156]] \\
 ------
+️⃣  **AB - CD - EF**
 <fc #4682b4>"divi-//tes//"</fc> Das GrN führt den Trc zum"do" wie Bv33/34, die anderen zum "si".
 Kl mit seiner do-Revision zählt nicht. MR + Ch geben keinen Hinweis. Das 'levare' in E kann so oder so gelesen werden: Nach dem Trc "do-re-do" und dem 'inferius' zum "sol" läge für den Neumenleser eine [[cad:cad_trctrc#trctrc|CAD TrcTrc]] nahe. Diese durch 'levare' zu verhindern ist logisch. \\
@@ Zeile 21: / Zeile 23: @@
 **A**  Vultum tuum deprecabuntur  -  **B**  omnes divites plebis 		1. Periode\\
 **C** adducentur regi virgines 	  -  **D**  post eam proximae eius 	        2. Periode\\
-**E** adducentur tibi 		  -  **F**  in laetitia et exsultatione.	3. Periode\\
+**E** adducentur tibi in laetitia -  **F**   et exsultatione.	                3. Periode\\
 {{ :gr_indiv:0164_synopsis.png?200|}}
@@ Zeile 60: / Zeile 62: @@
 The Introit is clearly divided into three sections, each consisting of two centones:
-**A** Vultum tuum deprecabuntur - **B** omnes divites plebis         1st section\\
+**A** Vultum tuum deprecabuntur                  - **B** omnes divites plebis   1st section\\
-** C** virgines shall be brought before the king      - **D** those next to her      2nd period\\
+** C** virgines shall be brought before the king - **D** those next to her      2nd period\\
-**E** shall be brought before thee          - **F** in joy and exultation.    3rd period\\
+**E** shall be brought before thee in joy        - **F**  and exultation.       3rd period\\
 {{ :gr_indiv:0164_synopsis.png? 200|}}
 The cadences B-D-F repeat the sentence-ending torculus (TrcFSE), which is introduced by a TrcGRAV on the praetonic syllable (The ‘weighty torculus’ is clearly defined in B with ‘inferius’ as the first note and ‘levare’ as the peak note: ‘do-mi-re’). In D and F, the TrcGRAV is extended to the FML A-Por with a resupin movement (“do-mi-do-re”). In D, the melodic progression is once again secured with ‘inferius’ and ‘levare’, but not so in the repetition of the FML in F.