Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:1657 [2024/07/17 17:03] – xaverkainzbauer
+++ an_indiv:1657 [2026/06/29 15:46] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] <fc #ffffff>xxxxx</fc>
-<fc #ffffff>xxxxx</fc>
 ✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
-<fc #ffffff>xxxxx</fc>
+<fc #ffffff>xxxxx</fc> **<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
-**<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
 ------------------
 [[1656]] ← → [[1658]]
 {%syn:title:ant:1657%}
-[[ant:1657|↖️]]
+[[1645]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[1661]] <fc #ffffff>xxxxx</fc>
+[[ant:1657|↖️]] [[rp_hmr:1657|🔄]]
+-------
 **[[cento_an:2inc_cad#6|2INC cad]]**  2accM,
  <fc #4682b4>"//ór//-ganis"</fc> nkPes liqu.accentus: +
 [[formulae:pecl#pot|FML potentiae]]\\
 **[[formulae:alloq#1a|1FML alloq]]** \\
 **[[cento_an:1med_typ#3|1MED]]** [[neumen:litterae#m_p|]] nur Incipit, daher "sa".\\
-**[[cento_an:1ter_de5#1|1TER de5]]**
+**[[cento_an:1ter_de5#1|1TER de5]]** \\
+{{ :ant:1657_comm.png?200|}}
 **[[formulae:rez_addo#1|1FML Rez ad do]]**  [[neumen:litterae#e|aequaliter]] Centoübergang.\\
@@ Zeile 26: / Zeile 23: @@
 <fc #4682b4>"ut non confúndar"</fc>. Die 'concisitas' ist durch das eingeschoben "mi" vor dem letzten Akzent etwas zurückgenommen. Die heilige Cecilia ist doch bescheiden:
-{{ :ant:1657_comm.png?200|}}
+  Unter dem Brausen der Instrumente  pries Caecilia Gott und sagte:
+  Mein Herz bleibe rein, damit ich nicht zugrunde gehe.
+  To the roar of the instruments, Caecilia praised God and said:
+  My heart remains pure so that I do not perish.
+**[[cento_an:2inc_cad#6|2INC cad]]** 2accM,
+ <fc #4682b4>"//ór//-ganis"</fc> nkPes liqu.accentus: +
+[[formulae:pecl#pot|FML potentiae]]\\
+**[[formulae:alloq#1a|1FML alloq]]** \\
+**[[cento_an:1med_typ#3|1MED]]** [[neumen:litterae#m_p|]] only incipit, hence "sa".\\
+**[[cento_an:1ter_de5#1|1TER de5]]** \\
+{{ :ant:1657_comm.png?200|}}
+**[[formulae:rez_addo#1|1FML Rez ad do]]** [[neumen:litterae#e|aequaliter]] Cento transition.\\
--------
+<fc #4682b4>"fi-//at// cor"</fc> The fading of the recitation "la" to "sol" is typical of the formula at the end of the cento. The downswing //before// the accent "do" only occurs twice: here before the oxytonon "cor",
+<fc #4682b4> "fi-//at// cor"</fc> and in [[ant:1203]] at <fc #4682b4>"Mors //et// víta"</fc>. \\
-● Unter dem Brausen der Instrumente  pries Caecilia Gott und sagte: \\
+**[[cento_an:1ter_conc##|1TER conc]]** accentus "falsi", not the last accent, but the last syllable comes to the finalis: [[formulae:colon]] + [[neumen:litterae#c_st_x|exspectare]] \\
-Mein Herz bleibe rein, damit ich nicht zugrunde gehe.
+**[[cento_an:1ter_conc#2|1TER conc]]** POPO.
+<fc #4682b4>"ut non confúndar"</fc>. The 'concisitas' is slightly reduced by the "mi" inserted before the last accent. St Cecilia is modest after all:
-● To the roar of the instruments, Caecilia praised God and said: \\
-My heart remains pure so that I do not perish.\\
--------
 -------
 {%syn:analyse:ant:1657%}