Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:1357 [2024/06/08 09:51] – xaverkainzbauer
+++ an_indiv:1357 [2026/06/30 20:28] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] <fc #ffffff>xxxxx</fc>
-<fc #ffffff>xxxxx</fc>
 ✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
-<fc #ffffff>xxxxx</fc>
+<fc #ffffff>xxxxx</fc> **<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
-**<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
 ------------------
 [[1356]] ← → [[1358]]
 {%syn:title:ant:1357%}
-[[ant:1357|↖️]]
+[[1356]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[1360]] <fc #ffffff>xxxxx</fc>
+[[ant:1357|⏹️]]
+------
 {{ :an_indiv:1357_analyse.png?370|}}
 Die 1.Periode  besteht aus 1MED triv und 1TER conc, beide Centones sind aber variiert:\\
@@ Zeile 27: / Zeile 24: @@
 **[[cento_an:1ter_clv|1TER clv]]** beginnt mit der fallenden Linie "la-sol-fa", die sowohl zu 1NOV typ also auch zu 1TER gehört. Der Cento 1TER clv breitet den Text aus, <fc #4682b4>"domini mei iesu christe"</fc> darf keineswegs vernachlässigt werden. \\
--------
-● Christus ist mein Leben und Sterben mein Gewinn. \\
+  Christus ist mein Leben und Sterben mein Gewinn.
-Ich muß mich rühmen im Kreuz meines Herrn Jesus Christus.
+  Ich muß mich rühmen im Kreuz meines Herrn Jesus Christus.
+  Christ is my life and dying is my gain.
+  I must glory in the cross of my Lord Jesus Christ.
-● Christ is my life and dying is my gain. \\
+The 1st period consists of 1MED triv and 1TER conc, but both centones are varied:
-I must glory in the cross of my Lord Jesus Christ.
+"Mihi" The 'levare mediocriter' refers to the first tone: Incipit on "fa", not on "re" or "do" as is usual in the Protus.
--------
+MED triv The usual ascent "fa-sol-la" is replaced by FML alloq, the accent "ví-vere" is exaggerated. The 'sursum' speaks for "si" (vide: "do" in Ka). 1MED triv 2acc becomes 2acc\ (ad "re").
+The second accent becomes "la":
+FML supra
+TER conc The second cento also begins with an augmentation to "la" and thus again:
+(FML supra) The two syllables "mo-ri" are defused with Clv and 'celeriter'. The Clv de-tones, the celeriter prevents spreading.
+The 2nd period is composed along 1TYPOS
+INC ad4 recites like 1MED typ aud "sol", the por "o-por-tet" accelerates over the accent and jumps to "re". This prepares the Clv intonation of the
+FML quia is prepared, the second tone of the Clv is prevented by liquescence. "in cru-ce" The usual pes of the last syllable "sol-la" is replaced by FML circulatio, a valorisation that the Lord's cross certainly deserves:
+circulatio.
+TER clv begins with the falling line "la-sol-fa", which belongs to both 1NOV type and 1TER. The cento 1TER clv expands the text, "domini mei iesu christe" must by no means be neglected.
+-------
+{%syn:analyse:ant:1357%}