Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0587 [2024/06/23 10:40] – xaverkainzbauer
+++ an_indiv:0587 [2024/11/20 21:53] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0001|IN]] [[grad:0202|GR]] [[grad:0465|TR]] [[grad:0294|AL]] [[grad:0481|OF]] [[grad:0599|CO]]
 <fc #ffffff>xxxxx</fc>
-[[0001|1️⃣]] [[0019|2️⃣]] ✅ [[0034|3️⃣]] [[0041|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
+[[0001|1️⃣]] [[0019|2️⃣]] ✅ [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
 <fc #ffffff>xxxxx</fc>
-**<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]]  [[alia:alia|alia]]
+**<fc #BD0C11>AN</fc>** [[ant:7016|RP]] [[ant:9921|IV]]  [[alia:alia|alia]]
 ------------------
@@ Zeile 9: / Zeile 9: @@
 {%syn:title:ant:0587%}
-[[ant:0587|↖️]]
+[[0586]] ⟽ **[[cento_an:qtyp|AN Q]]** ⟾ [[0592]]
+[[ant:0587|⏹️]]
+-------
 {{ :an_indiv:0587_comm.png?350|}}
 **[[cento_an:qinc|QINC]]**\\
@@ Zeile 26: / Zeile 29: @@
 -------
+{{ :an_indiv:0587_comm.png?350|}}
--------
+**[[cento_an:qinc|QINC]]**\\
+**[[cento_an:qmed|QMED]]** is varied. The two augmentative liquescent stresses "**ín**violata" and "per**mán**sisti" emphasise the sensory accent, not the grammatical accent; at the same time, the grammatical accent "perman)-//sís//-ti" is also emphasised by the congestion. The kPes is essential, which already raises the syllable "**per**mansisti" to "mi", thus also giving this syllable added value.\\
+**[[cento_an:qnov|QNOV]]**\\
+**[[cento_an:qter|QTER]]** The variation of this cento approaches the [[cento_an:2ter_typ|2TER typ]]: Fourth fall and rise over the major third, arguing for "si" in protus to fourth. "**pro nó**-bis" is thus emphasised. Ka notates a "do" at "//no//bis", so there is originally an "si" here. This does not suit the more recent tradition. And because "do-sol-sa" is practically impossible to sing, the "sol" is changed to "la" (Fo + AMn). Tol+Bv, however, clearly notate "sol". Fo is so convinced of si-be-molle that, although the note does not appear in his melody, he adds an extra letter "b".\\
+🔴 Here, the <fc #ff0000>"sa"</fc> (si-be-molle) in **Typos Q** is obviously a more recent interpretation. The authentic melody uses <fc #ff0000>"si"</fc> (si-be-durum).
+------
 {%syn:analyse:ant:0587%}