Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0523 [2024/06/02 06:18] – xaverkainzbauer
+++ an_indiv:0523 [2026/06/22 07:37] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0011|IN]] [[grad:0165|GR]] [[grad:0465|TR]] [[grad:0323|AL]] [[grad:0479|OF]] [[grad:0613|CO]] <fc #ffffff>xxxxx</fc>
-<fc #ffffff>xxxxx</fc>
+[[0001|1️⃣]] ✅ [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
-[[0001|1️⃣]] ✅ [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]]  [[0004|8️⃣]]
+<fc #ffffff>xxxxx</fc> **<fc #BD0C11>AN</fc>** [[ant:7002|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
-<fc #ffffff>xxxxx</fc>
-**<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]]  [[alia:alia|alia]]
 ------------------
+[[0522a]] ← → [[0523a]]
+{%syn:title:ant:0523%}
+[[0514]] ⟽ **[[cento_an:2typ|AN 2]]** ⟾ [[0523#a|0523a]] <fc #ffffff>xxxxx</fc>
+[[ant:0523|⏹️]]
+-------
+**[[cento_an:2inc_cad|2INC cad]]**\\
+**[[cento_an:8inc_ad1|INC ad1]]**\\
+**[[cento_an:2inc_cad|2INC cad]]** +
+[[formulae:rever|FML reverentia]] + [[neumen:oriscus:vrg#~vrg_mut]]\\
+**[[cento_an:8inc_ad1|INC ad1]]**\\
-[[0522]] ← → [[0524]]
+**[[cento_an:2inc_cad|2INC cad]]** +
+[[formulae:rever|FML reverentia]] + [[neumen:oriscus:vrg#~vrg_mut]] +
+[[neumen:oriscus:vrg#~vrg_sub]] \\
+**[[cento_an:2inc_asc|2INC asc]]** \\
-{%syn:title:ant:0523%}
+Eine Struktur die in Richtung zweite Gregorianik weist (Trinitatis!) Nicht der natürliche Sprachbogen, sondern die Struktur herrscht vor: AB-AB-AB (Sprachkunst wird Musik). Der Cento "pater filius" wiederholt "gloriosae" mit vertauschten Elementen.
-[[ant:0523|↖️]]
+Diese Melodie ist nur aus den Neumen Hartkers resituiert. Alle diastematischen Quellen schreiben die Version 0523a.
+  O du heilige, gepriesene, glorreiche Dreieinigkeit,
+  Vater, Sohn und Heiliger Geist.
+  O holy, blessed, glorious Trinity,
+  Father, Son and Holy Spirit.
--------
-● O du heilige, gepriesene, glorreiche Dreieinigkeit,\\
+**[[cento_an:2inc_cad|2INC cad]]**\\
-Vater, Sohn und Heiliger Geist.
+**[[cento_an:8inc_ad1|INC ad1]]**\\
+**[[cento_an:2inc_cad|2INC cad]]** +
+[[formulae:rever|FML reverentia]] + [[neumen:oriscus:vrg#~vrg_mut]]\\
+**[[cento_an:8inc_ad1|INC ad1]]**\\
-● O holy, blessed, glorious Trinity,\\
+**[[cento_an:2inc_cad|2INC cad]]** +
-Father, Son and Holy Spirit.
+[[formulae:rever|FML reverentia]] + [[neumen:oriscus:vrg#~vrg_mut]] +
+[[neumen:oriscus:vrg#~vrg_sub]] \\
+**[[cento_an:2inc_asc|2INC asc]]** \\
+A structure that points in the direction of second Gregorian chant (Trinitatis!) It is not the natural linguistic arch but the structure that prevails: AB-AB-AB (linguistic art becomes music). The cento "pater filius" repeats "gloriosae" with interchanged elements.
+This melody is only resituated from Hartker's neumes. All diastematic sources write the version 0523a.
+-------
+{%syn:analyse:ant:0523%}