Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0284 [2024/06/30 06:44] – xaverkainzbauer
+++ an_indiv:0284 [2024/11/20 16:15] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0011|IN]] [[grad:0165|GR]] [[grad:0465|TR]] [[grad:0323|AL]] [[grad:0479|OF]] [[grad:0613|CO]]
 <fc #ffffff>xxxxx</fc>
-[[0001|1️⃣]] ✅ [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]]  [[0004|8️⃣]]
+[[0001|1️⃣]] ✅ [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
 <fc #ffffff>xxxxx</fc>
-**<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]]  [[alia:alia|alia]]
+**<fc #BD0C11>AN</fc>** [[ant:7002|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
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@@ Zeile 9: / Zeile 9: @@
 {%syn:title:ant:0284%}
-[[ant:0284|↖️]]
-{{ :ant:0284_elemente.png?300|}}
+[[0275]] ⟽ **[[cento_an:2typ|AN 2]]** ⟾ [[0300]]
+[[ant:0284|⏹️]]
+-------
+{{ :ant:0284_elemente.png?250|}}
 **[[cento_an:2inc_cad#5|2INC cad]]**\\
 **[[cento_an:2inc_asc#3|2INC asc]]**\\
@@ Zeile 17: / Zeile 20: @@
 **[[cento_an:2inc_cad#3|2INC cad]]**  2acc\ \\
 **[[cento_an:2inc_cad#1|2INC cad]]**  2acc\ \\
-**[[cento_an:2ter_kat|8TER katab]]**\\
+**[[cento_an:2ter_kat|2TER katabasis]]**\\
 🔴 Der erste Cento ist ein Musterbeispiel für die Möglichkeiten die Melodie dem konkreten Text entsprechend zu wählen:\\
@@ Zeile 35: / Zeile 38: @@
 -------
+{{ :ant:0284_elemente.png?250|}}
+**[[cento_an:2inc_cad#5|2INC cad]]**\\
+**[[cento_an:2inc_asc#3|2INC asc]]**\\
+**[[cento_an:2inc_asc#9|2INC asc]]**\\
+**[[cento_an:2inc_cad#3|2INC cad]]** 2acc\ \\
+**[[cento_an:2inc_cad#1|2INC cad]]** 2acc\ \\
+**[[cento_an:2ter_kat|2TER katabasis]]**\\
+🔴 The first cento is a prime example of the possibilities for choosing the melody according to the specific text:\\
+First of all, the cento is a 2INC cad two-accent, the first accent is more important (**2acc\**) <fc #4682b4>"//gé//-nuit //nó//-bis"</fc>\\\
+- <fc #4682b4>"//Éc//-ce //má//-ria"</fc> Then the melody leads down to the "do", hence the colon (**colon**).
+- The five praetonic syllables are structured into the "do" on the second syllable, whereby both the syllable before and after become multivalent without being overly accentuated.\\\
+- <fc #4682b4>"//sál//-va-//tó//-rem"</fc> The end is also slightly emphasised on the morpheme without neglecting the grammatical accent. This is done as in TYPE SoLL of the 8th mode.
 -------
 {%syn:analyse:ant:0284%}