Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0170 [2024/05/31 13:25] – xaverkainzbauer
+++ an_indiv:0170 [2024/11/12 17:59] (aktuell) – xaverkainzbauer
@@ Zeile 9: / Zeile 9: @@
 {%syn:title:ant:0170%}
-[[ant:0170|↖️]]
+[[0152]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0172]]
+[[ant:0170|⏹️]]
+-------
 {{ :ant:0170_comm1.png?300|}}
@@ Zeile 50: / Zeile 53: @@
 [[formulae:colon]].
 "//lae//-tantur archangeli" After the cento-foreign tone "fa" shows\\
-[[neumen:oriscus:~vrg#vrg_mut|~Vrg mut]] indicates the beginning of the actual cento.
+[[neumen:oriscus:~vrg#vrg_mut|~Vrg mut]] indicates the beginning of the actual cento.\\
-**[[cento_an:1nov_typ|1NOV typ]]** The second "hodie" leads to the one-accent pure tonatio formula (NEO).\\ Instead of the usual terminatio, another 1FML alloq and 1MED follow, enumerating a superfluent 1MED to precede a third sequence of 1FML alloq and 1MED. \\
+**[[cento_an:1nov_typ|1NOV typ]]** The second "hodie" leads to the one-accent pure tonatio formula (NEO). Instead of the usual terminatio, another 1FML alloq and 1MED follow, enumerating a superfluent 1MED to precede a third sequence of 1FML alloq and 1MED. \\
 **[[formulae:quia|FML quia]]** introduces the final group. The word <fc #4682b4>"dicentes"</fc> could easily be replaced by "quia".\\
 **[[formulae:supra|FML supra]]** 2x "**gló**ria in ex**cél**sis deo" used for the first time in the repertoire as a separate cento in this antiphon +\\
 **[[cento_an:1ter_de3|1TER de3]]**\\
 **[[cento_an:1ter_vadd|1TER v.add]]**).
+-------
+{%syn:analyse:ant:0170%}