Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0016 [2024/05/26 21:08] – xaverkainzbauer
+++ an_indiv:0016 [2024/11/08 17:31] (aktuell) – xaverkainzbauer
@@ Zeile 3: / Zeile 3: @@
 ✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
 <fc #ffffff>xxxxx</fc>
-**<fc #BD0C11>AN</fc>** [[7009|RP]] [[9862|IV]]  [[alia:alia|alia]]
+**<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
 ------------------
@@ Zeile 9: / Zeile 9: @@
 {%syn:title:ant:0016%}
-[[ant:0016|↖️]]
+[[0014]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0018]]
+[[ant:0016|⏹️]] [[rp_hmr:0016|🔄]]
+-------
 Vierteiliger Text, typosfähig, aber die individuelle Textausdeutung ändert alles.
@@ Zeile 26: / Zeile 29: @@
 " ... et concépit - de spiritu sancto - alleluia":\\
-**[[cento_an:1ter_conc|1TER conc]]** \\
+**[[cento_an:1ter_conc#1|1TER conc]]** \\
 [[formulae:retard|FML retard]], die "Kunstpause" teilt mit, dass das Eigentliche erst folgt "...et concepit <- de spiritu sáncto" nunmehr\\
-**[[cento_an:1ter_de3|1TER de3]]**  Abermals wird die Richtung geändert: das nachgestellte, bestätigende "Halleuia" verlangt\\
+**[[cento_an:1ter_de3#5|1TER de3]]**  Abermals wird die Richtung geändert: das nachgestellte, bestätigende "Halleuia" verlangt\\
-**[[cento_an:1ter_vadd|1TER v.add]]**
+**[[cento_an:1ter_vadd#2|1TER v.add]]**
 Das equaliter vor 1TER concisa signalisiert Centoübergang und sichert gleichzeitig ab, dass kein falscher Cento folgt.
@@ Zeile 39: / Zeile 42: @@
 ● The angel of the Lord announced to Mary
 and she received from the Holy Spirit, alleluia.
+-------
+Four-part text, typosensitive, but the individual text interpretation changes everything.
+{{ :ant:0016_comm2.png?300|}}
+**[[cento_an:1inc_voc#inc_vocatio|1INC "vocatio"]]** \\
+(vocation) in place of the INC Clv. The "mi" on the second syllable already brings tension into the melody, instead of the accentual pe fa-la, there is the weakening clivis sol-fa, the melody falls to "do" (colon) instead of rising to "la".\\
+This incipit appears only four times in the core repertoire, always in passages crucial to the history of faith: Elijah's call to be a prophet [[ant:1900]] David's calling to build the temple [[ant:1901]] , the calling of the first apostles [[ant:1675]] and here the calling of Mary as the Mother of God. According to
+[[neumen:neuma#clv_connect]] is followed by the classical\\
+**[[cento_an:1med_triv|1MED triv]]** 2acc\, the second accent is less important.\\
+{{ :ant:0016_comm1.png?300|}}
+The following is a prime example of association typical of memory culture.\\
+" ... et concépit - de spiritu sancto - alleluia":\\
+**[[cento_an:1ter_conc|1TER conc]]** \\
+[[formulae:retard|FML retard]], the "artificial pause" informs us that the real thing only follows "...et concepit <- de spiritu sáncto" now\\
+**[[cento_an:1ter_de3#5|1TER de3]]** The direction is changed again: the subsequent, confirming "Halleuia" is required\\
+**[[cento_an:1ter_vadd#2|1TER v.add]]**
+The equaliter before 1TER concisa signals cento transition and at the same time ensures that no wrong cento follows.
+-------
+{%syn:analyse:ant:0016%}