Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- gr_indiv:0507 [2025/07/12 09:51] – xaverkainzbauer
+++ gr_indiv:0507 [2025/11/16 10:12] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_missalis|🔘]] [[0017|IN]] [[0174|GR]] [[0465|TR]] [[0325|AL]] **<fc #BD0C11>OF</fc>** [[0603|CO]]
+[[cento:centologia#centones_missalis|🔘]] [[0017|IN]] [[0174|GR]] [[grad:0465|TR]] [[0325|AL]] **<fc #BD0C11>OF</fc>** [[0603|CO]] <fc #ffffff>xxxxx</fc>
-<fc #ffffff>xxxxx</fc>
 ✅ [[0479|2️⃣]] [[0494|3️⃣]] [[0481|4️⃣]] [[0490|5️⃣]] [[0502|6️⃣]] [[0504|7️⃣]] [[0482|8️⃣]]
-<fc #ffffff>xxxxx</fc>
+<fc #ffffff>xxxxx</fc> [[ant:0001|AN]] [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
-[[ant:0001|AN]] [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
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 [[0503]] ⟽ **[[cento_gr:cento_of1|OF 1]]** ⟾ [[0516]]
@@ Zeile 19: / Zeile 17: @@
 and deliver me from the unrighteous man, O Lord.
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+<fc #4682b4>"//do//-mine"</fc> "si-be-molle" in GN only on the basis of Mp (+Zt), Kl speaks against it with "do". The melody is in the wake of the following "do". The quilisma is not a tone, which is another reason why the resolution sign is superfluous.\\
+<fc #4682b4>"ho-//mi//-nibus"</fc> There is no tritone tension here either. The "si" is merely an alternating note, main steps are "la-fa-re".
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