gr_indiv:0345
Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
| Beide Seiten der vorigen RevisionVorhergehende Überarbeitung | |||
| gr_indiv:0345 [2026/03/17 08:57] – xaverkainzbauer | gr_indiv:0345 [2026/03/17 08:57] (aktuell) – xaverkainzbauer | ||
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| Zeile 9: | Zeile 9: | ||
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| Das GrN behält in diesem Typus-Alleluia | Das GrN behält in diesem Typus-Alleluia | ||
| Hier ist zu erinnern, was Luigi Agustoni zum si im Deuterus festhält: | Hier ist zu erinnern, was Luigi Agustoni zum si im Deuterus festhält: | ||
| Zeile 18: | Zeile 18: | ||
| V. Awaken, Lord, your mighty power / and come to make us whole! | V. Awaken, Lord, your mighty power / and come to make us whole! | ||
| - | {{ : | + | {{ : |
| The GrN retains the si-be-molle (b) in this type alleluia; despite the ‘do’ in cl. Why? Wasn't the intention to engage in an aesthetic debate between a taste characterised by the sultry harmonies of the late 19th century and listening habits that have gone through the school of atonality? A perfect fourth that ‘dissolves’ into a diminished fifth is supposed to be more beautiful than a tritone that dissolves into a perfect fifth? \\ | The GrN retains the si-be-molle (b) in this type alleluia; despite the ‘do’ in cl. Why? Wasn't the intention to engage in an aesthetic debate between a taste characterised by the sultry harmonies of the late 19th century and listening habits that have gone through the school of atonality? A perfect fourth that ‘dissolves’ into a diminished fifth is supposed to be more beautiful than a tritone that dissolves into a perfect fifth? \\ | ||
| Here we should remember what Luigi Agustoni writes about si in the Deuterus: | Here we should remember what Luigi Agustoni writes about si in the Deuterus: | ||
gr_indiv/0345.1773734257.txt.gz · Zuletzt geändert: von xaverkainzbauer
