gr_indiv:0144
Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung | ||
| gr_indiv:0144 [2026/02/22 16:19] – xaverkainzbauer | gr_indiv:0144 [2026/05/08 09:04] (aktuell) – xaverkainzbauer | ||
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| Zeile 1: | Zeile 1: | ||
| - | [[cento: | + | [[cento: |
| - | <fc # | + | |
| ✅ [[0011|2️⃣]] [[0006|3️⃣]] [[0001|4️⃣]] [[0012|5️⃣]] [[0008|6️⃣]] [[0003|7️⃣]] [[0002|8️⃣]] | ✅ [[0011|2️⃣]] [[0006|3️⃣]] [[0001|4️⃣]] [[0012|5️⃣]] [[0008|6️⃣]] [[0003|7️⃣]] [[0002|8️⃣]] | ||
| - | <fc # | + | <fc # |
| - | [[ant: | + | |
| ------------------ | ------------------ | ||
| - | [[0143]] ← → [[0145]] | + | [[0143]] ← → [[0145]] |
| {%syn: | {%syn: | ||
| [[0143]] ⟽ **[[cento_gr: | [[0143]] ⟽ **[[cento_gr: | ||
| - | ------- | + | -------------- |
| + | 2️⃣ **AB - EFF** | ||
| + | |||
| + | {{ : | ||
| Variierende Wiederholung ist das Prinzip dieses Introitus. Kern ist der nicht kurrente Scandicus (nkSca) " | Variierende Wiederholung ist das Prinzip dieses Introitus. Kern ist der nicht kurrente Scandicus (nkSca) " | ||
| 1 <fc # | 1 <fc # | ||
| - | 2 Ein amplifizierter Trc "mi.fa-re" leitet ein, das Ende ist ein TrcFIN zur Terz. | + | 2 Ein amplifizierter Trc "mi-fa-re" leitet ein, das Ende ist ein TrcFIN zur Terz.\\ |
| 3 Dieser Cento endet mit der CAD TrcTrc, zwei praetonische Silben " | 3 Dieser Cento endet mit der CAD TrcTrc, zwei praetonische Silben " | ||
| 4 Bei " | 4 Bei " | ||
| Zeile 27: | Zeile 28: | ||
| until that day. | until that day. | ||
| + | {{ : | ||
| Varied repetition is the principle behind this introit. Its core is the non-current scandicus (nkSca) ‘fa-sol-la’. If the following note is ‘fa’ (1,5), the cento cadences to ‘re’. If the following note is “sol” (3,4), it cadences to ‘fa’. | Varied repetition is the principle behind this introit. Its core is the non-current scandicus (nkSca) ‘fa-sol-la’. If the following note is ‘fa’ (1,5), the cento cadences to ‘re’. If the following note is “sol” (3,4), it cadences to ‘fa’. | ||
| + | |||
| 1 <fc # | 1 <fc # | ||
| - | 2 An amplified Trc ‘mi.fa-re’ introduces, the end is a TrcFIN to the third. | + | 2 An amplified Trc ‘mi.fa-re’ introduces, the end is a TrcFIN to the third.\\ |
| - | 3 This cento ends with the CAD TrcTrc, two praetonic syllables ‘quia’ precede the accent (virga with a superimposed cursive accent Pes). | + | 3 This cento ends with the CAD TrcTrc, two praetonic syllables ‘quia’ precede the accent (virga with a superimposed cursive accent Pes).\\ |
| - | 4 In ‘mein’, the nkSca ‘fa-sol-la’ is transformed into FML quia in relation to the previous cento. CAD mega D concludes on ‘fa’. In modern terms, Gregorian introits often use the ' | + | 4 In ‘mein’, the nkSca ‘fa-sol-la’ is transformed into FML quia in relation to the previous cento. CAD mega D concludes on ‘fa’. In modern terms, Gregorian introits often use the ' |
| 5 The Sca ‘fa-sol-la’ is here the conclusion of a cat.anabasis movement that lowers the tenor ‘fa’ back to “re”. The two Cephalici ‘il-lum’ are quite modest in sound “parvulum, | 5 The Sca ‘fa-sol-la’ is here the conclusion of a cat.anabasis movement that lowers the tenor ‘fa’ back to “re”. The two Cephalici ‘il-lum’ are quite modest in sound “parvulum, | ||
| The entire introitus, all five centones, is grouped around the five Sca ‘fa-sol-la’ and relates to them. | The entire introitus, all five centones, is grouped around the five Sca ‘fa-sol-la’ and relates to them. | ||
gr_indiv/0144.1771773554.txt.gz · Zuletzt geändert: von xaverkainzbauer