| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung |
| gr_indiv:0025 [2025/05/07 20:46] – xaverkainzbauer | gr_indiv:0025 [2026/03/16 23:01] (aktuell) – xaverkainzbauer |
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| [[ant:0113|AN]] [[ant:7016|RP]] [[ant:9921|IV]] [[alia:alia|alia]] | [[ant:0113|AN]] [[ant:7016|RP]] [[ant:9921|IV]] [[alia:alia|alia]] |
| ------------------ | ------------------ |
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| [[0024]] ← → [[0026]] | [[0024]] ← → [[0026]] |
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| {%syn:title:grad:0025%} | {%syn:title:grad:0025%} |
| | [[0023]] ⟽ **[[cento_gr:cento_in4|IN 4]]** ⟾ [[0044]] <fc #ffffff>xxx</fc> [[grad:0025|⏹️]] <fc #ffffff>xxx</fc> GT 573 - GN 2/263 - BzG 53/21 \\ |
| [[grad:0025|↖️]] \\ | |
| | |
| GT 573\\ | |
| BzG 53/21 + GrN 2/263 | |
| ------- | ------- |
| <fc #4682b4>"cum es-//ses//"</fc> Das Episem in E+L negiert/verhindert einen Pes sol-la, oder eine Virga "la" auf der Schlusssilbe (Bv34, Y, Zt, Mp). Ein kleiner Nebenton ist ein Missverständnis der Funktion des Epiphonus. vgl. hier Bv33 - Bv34.\\ | <fc #4682b4>"cum es-//ses//"</fc> Das Episem in E+L negiert/verhindert einen Pes sol-la, oder eine Virga "la" auf der Schlusssilbe (Bv34, Y, Zt, Mp). Ein kleiner Nebenton ist ein Missverständnis der Funktion des Epiphonus. vgl. hier Bv33 - Bv34.\\ |
| cf. [[ant:7718]] //"hoc// autem dixit" \\ | cf. [[ant:7718]] //"hoc// autem dixit" \\ |
| <fc #4682b4>//"mor-te"//</fc> [[neumen:liqueszenz#neumaphaga]] | <fc #4682b4>//"mor-te"//</fc> [[neumen:liqueszenz#neumaphaga]] |
| ------- | |
| So spricht der Herr zu Petrus: | |
| Als du jünger warst, gürtetest du dich, | |
| und gingst, wohin du wolltest; | |
| da du aber älter wirst, wirst du deine Hände ausstrecken, | |
| und ein anderer wird dich gürten und dich führen, wohin du nicht willst. | |
| Das sagte er aber, um anzudeuten,
mit welchem Tode er Gott verherrlichen sollte. | |
| |
| ------- | So spricht der Herr zu Petrus:/ Als du jünger warst, gürtetest du dich / und gingst, wohin du wolltest; |
| | da du aber älter wirst, wirst du deine Hände ausstrecken / |
| | und ein anderer wird dich gürten und dich führen, wohin du nicht willst. |
| | Das sagte er aber, um anzudeuten /
mit welchem Tode er Gott verherrlichen sollte. |
| | |
| | Thus says the Lord to Peter:/ When you were younger, you girded yourself /and went wherever you wanted; |
| | but as you grow older, you will stretch out your hands / |
| | and another will gird you and lead you where you do not want to go. |
| | Now he said this to indicate / the death with which he was to glorify God. |
| <fc #4682b4>“cum es-//ses//”</fc> The episem in E+L negates/prevents a pes sol-la, or a virga “la” on the final syllable (Bv34, Y, Zt, Mp). A small secondary tone is a misunderstanding of the function of the epiphonus. See Bv33 - Bv34 here. | <fc #4682b4>“cum es-//ses//”</fc> The episem in E+L negates/prevents a pes sol-la, or a virga “la” on the final syllable (Bv34, Y, Zt, Mp). A small secondary tone is a misunderstanding of the function of the epiphonus. See Bv33 - Bv34 here. |
| <fc #4682b4>//“hoc// autem”</fc> BzG: “The fa of the Vat remains in E, B, G and Ch because of the virga and because of the position of the uncinus in L at the level of the following tone group, contrary to the evidence of Bv, A and Y.” Thus, the (all) adiastematic sources stand against our oldest diastematic sources Aquitaine **and** Benevento. The decisive factor here is the [[neumen:neuma#tristropha_im_melodischen_kontext|tristropha]], the “following tone group”: Almost always, the tristropha raises a lower recitation level (“mi” or “si”) to the fixed pitch “fa” (or “do”) (with the exception of the pentatonic 5th mode).\\ | <fc #4682b4>//“hoc// autem”</fc> BzG: “The fa of the Vat remains in E, B, G and Ch because of the virga and because of the position of the uncinus in L at the level of the following tone group, contrary to the evidence of Bv, A and Y.” Thus, the (all) adiastematic sources stand against our oldest diastematic sources Aquitaine **and** Benevento. The decisive factor here is the [[neumen:neuma#tristropha_im_melodischen_kontext|tristropha]], the “following tone group”: Almost always, the tristropha raises a lower recitation level (“mi” or “si”) to the fixed pitch “fa” (or “do”) (with the exception of the pentatonic 5th mode).\\ |
| Is it performed calmly and unemotionally, in an intimate narrative style (mi), or is the preaching finger raised (fa)? Was pedagogy already important in the first half of the 10th century (L), as the episem on this virga impressively demonstrates in the later sources G374 and G376, or is the Aquitanian **and** Beneventan mi merely a very early renorming of a passage that was understood individually from the outset?\\ | Is it performed calmly and unemotionally, in an intimate narrative style (mi), or is the preaching finger raised (fa)? Was pedagogy already important in the first half of the 10th century (L), as the episem on this virga impressively demonstrates in the later sources G374 and G376, or is the Aquitanian **and** Beneventan mi merely a very early renorming of a passage that was understood individually from the outset?\\ |
| cf. [[ant:7718]] //"hoc// autem dixit” \\ | cf. [[ant:7718]] //"hoc// autem dixit” \\ |
| <fc #4682b4>//“mor-te”//</fc> [[neumen:liquescence#neumaphaga]] | <fc #4682b4>//“mor-te”//</fc> [[neumen:liqueszenz#neumaphaga]] |
| ------- | ------- |
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| {%syn:analyse:grad:0025%} | {%syn:analyse:grad:0025%} |
