Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- ant:0911 [2023/07/01 13:34] – xaverkainzbauer
+++ ant:0911 [2026/06/22 17:53] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia|🔘]] [[grad:0011|IN]] [[grad:0165|GR]] [[grad:0465|TR]] [[grad:0323|AL]] [[grad:0479|OF]] [[grad:0613|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0011|IN]] [[grad:0165|GR]] [[grad:0465|TR]] [[grad:0323|AL]] [[grad:0479|OF]] [[grad:0613|CO]] <fc #ffffff>xxxxx</fc>
-<fc #ffffff>xxxxx</fc>
 [[0001|1️⃣]] ✅ [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
-<fc #ffffff>xxxxx</fc>
+<fc #ffffff>xxxxx</fc> **<fc #BD0C11>AN</fc>** [[7002|RP]] [[9862|IV]]  [[alia:alia|alia]] <fc #ffffff>xxxxx</fc> [[#0911a]]
-**<fc #BD0C11>AN</fc>** [[7002|RP]] [[9862|IV]]  [[alia:alia|alia]] <fc #ffffff>xxxxx</fc> //vide et// ⇩
 ------------------
 [[0910]] ← → [[0912]]
+{%syn:title:ant:0911%}
+[[0908]] ⟽ **[[cento_an:2typ|AN 2]]** ⟾ [[0927]] <fc #ffffff>xxxxx</fc>
+[[an_indiv:0911|↘️]] [[rp_hmr:0911|🔄]]
-{%syn:title:ant:0911%}
+[[0905]] ⟽ **[[cento_an:2typ#typos_rez|2TYP Rez]]** ⟾ [[1874]]
-[[0908]] ⟽ **[[cento_an:2typ|AN 2]]** ⟾ [[0927]]
-[[0905]] ⟽ **[[cento_an:pr2_typoi#typos_rez|2TYP Rez]]** ⟾ [[1874]]
 {%syn:analyse:ant:0911%}
-  Cálicem salutaris accipiam : et nómen / domini invocábo.
+  Cálicem / salutaris accipiam / et nómen / domini invocábo.
-**[[cento_an:2typ_rez_inc|2INC Rez]]** mit dem typischen
-**[[cento_an:8ter_princ|8TER princ]]** ([[0905]] ← → [[0912]])\\
-[[neumen:quilisma#nkpes_quil|nkPes quil]]\\
-**[[cento_an:8nov_princ|8NOV princ]]** ([[0905]] ← → [[0912]]) +\\
-Das Ende des Cento zum "do" führt weiter: im 2.Modus:[[cento_an:colon#colon]], im 8.Modus Finalis
-???\\
-**[[cento_an:pr2_typoi#typ_rez_med|2MED Rez]]** Die Tonfolge "do-mi-sol" ist als\\
-**[[cento_an:pr1_fml#fml_sol-mi-do|1FML sol-mi-do]]** zu lesen: "et //nó-men//" ist wichtiger Akzent zweiter Ebene.\\
-**[[cento_an:1ter_de3|1TER de3]]** ([[0905]] ← → [[0917]]). Die \\
-[[neumen:oriscus:vrg#vrg_mut|~Vrg mut]] gibt das Signal, die Melodie in den Schlusscento einbiegen zu lassen.
+**[[cento_an:2inc_ad3|2INC ad3]]** \\
+**[[cento_an:2med_rez|2MED Rez]]** ad "do": [[formulae:colon]]\\
+**[[cento_an:2nov_rez|2NOV Rez]]** = \\
+[[formulae:solmido|1FML SolMiDo]] <fc #4682b4> "et //nó-men//"</fc>  accentus maior secundi ordinis.
+[[neumen:oriscus:vrg#vrg_mut|~Vrg mut]] aperit:\\
+**[[cento_an:1ter_de3|1TER de3]]**.\\
 ––––––––––––––––––
 [[cento:centologia|🔘]] [[grad:0006|IN]] [[grad:0168|GR]] [[grad:0465|TR]] [[grad:0290|AL]] [[grad:0494|OF]] [[grad:0610|CO]]
 <fc #ffffff>xxxxx</fc>
-[[0001|1️⃣]] [[0019|2️⃣]] ✅ [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
+[[0001|1️⃣]] [[0019|2️⃣]] [[0008|0️⃣]] ✅ [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
 <fc #ffffff>xxxxx</fc>
-**<fc #BD0C11>AN</fc>** [[7012|RP]] [[9831|IV]]  [[alia:alia|alia]]
+**<fc #BD0C11>AN</fc>** [[7012|RP]] [[9831|IV]]  [[alia:alia|alia]] <fc #ffffff>xxxxx</fc> [[0911]]
 ------------------
+{%syn:title:ant:0911a%}
+=== a ===
 [[0882]] ⟽ **[[cento_an:3typ|AN 3]]** ⟾ [[0929]]
+[[an_indiv:0911a|↘️]]
 {%syn:analyse:ant:0911a%}
-**[[cento_an:1inc_clv|1INC Clv-]]** ([[0910]] ← → [[0967]])\\
+**[[cento_an:1inc_clv|1INC Clv-]]**\\
 XXXX\\
 XXXX\\
-**[[cento_an:4ter_cadcad|4TER cadcad]]** ([[0891]] ← → [[0961]])\\
+**[[cento_an:4ter_cadcad|4TER cadcad]]**\\
+-------
 {%syn:hs:ant:Xtab:0911:400%}
 {%syn:hs:ant:0911%}