Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0403 [2024/05/30 15:18] – xaverkainzbauer
+++ an_indiv:0403 [2024/11/12 21:48] (aktuell) – xaverkainzbauer
@@ Zeile 6: / Zeile 6: @@
 ------------------
-[[0402]] ← → [[0404]] 🟢
+[[0402]] ← → [[0404]]
 {%syn:title:ant:0403%}
-[[ant:0403|↖️]]
-**[[cento_an:1med_triv|1MED triv]]** 1acc. "sol" verbidet dxie Centones.\\
+[[0391]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0409]]
-**[[cento_an:1med_triv|1MED triv]]**  2acc ad "la" [[formulae:colon]]\\
+[[ant:0403|⏹️]]
+------
+**[[cento_an:1med_triv|1MED triv]]** 1acc. "sol" verbindet die Centones.\\
+**[[cento_an:1med_triv#asc|1MED triv]]**  2acc ad "la" [[formulae:colon]]\\
 **[[cento_an:1ter_de3|1TER de3]]**
 H verwendet einen eigenen Text der zu dieser Melodie wenig passt. "deus" der anderen Quellen ist in H durch "dominus" ersetzt. H muss //entgegen den Regeln// die Clivis vor dem letzten Akzent auf zwei Silben aufteilen. Warum H derart komponiert, ist nicht nachzuvollziehen. \\
 -------
 ● Nach deiner großen Güte, Herr, erbarme dich meiner.
 ● According to your great goodness, Lord, have mercy on me.
+-------
-**[[cento_an:1med_triv|1MED triv]]** 1acc. "sol" verbidet dxie Centones.\\
+**[[cento_an:1med_triv|1MED triv]]** 1acc. "sol" connects the centones.\\
 **[[cento_an:1med_triv|1MED triv]]** 2acc ad "la" [[formulae:colon]]\\
 **[[cento_an:1ter_de3|1TER de3]]**\\
--------
-H uses his own text which does not fit this melody very well. "deus" in the other sources is replaced by "dominus" in H. H must //contrary to the rules// divide the clivis before the last accent into two syllables. It is not clear why H composes in this way.
+H uses his own text which does not fit this melody very well. "deus" in the other sources is replaced by "dominus" in H. H must //contrary to the rules// divide the clivis before the last accent into two syllables. It is not clear why H composes in this way. \\
+--------
+--------
+{%syn:analyse:ant:0403%}