Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- an_indiv:0024 [2024/05/26 11:35] – xaverkainzbauer
+++ an_indiv:0024 [2024/11/08 17:35] (aktuell) – xaverkainzbauer
@@ Zeile 1: / Zeile 1: @@
-[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]]
+[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]]
 <fc #ffffff>xxxxx</fc>
-✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]]  [[0007|8️⃣]]
+✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
 <fc #ffffff>xxxxx</fc>
-**<fc #BD0C11>AN</fc>** [[7001|RP]] [[9815|IV]]  [[alia:alia|alia]]
+**<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
 ------------------
-[[0001]] ← → [[0005]]
+[[0023]] ← → [[0025]]
 {%syn:title:ant:0024%}
-[[ant:0024|↖️]]
+[[0018]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0026]]
-**[[cento_an:1inc_5pes|1INC 5Pes]]**. "//Éc//-ce //vé//-niet". Die Hauptaussage gleich am Beginn, 2akz/ +\\
+[[ant:0024|⏹️]] [[rp_hmr:0024|🔄]]
+-------
+**[[cento_an:1inc_5pes|1INC 5Pes]]**. "//Éc//-ce //vé//-niet". Die Hauptaussage gleich am Beginn, 2acc/ +\\
 [[neumen:neuma#circulatio]] (applicatio = Zuneigung).\\
 **[[cento_an:1med_triv|1MED triv]]**. Sehr kurzer Text, trotzdem zwei Akzente. Der Absturz zum "re" bildet\\
@@ Zeile 23: / Zeile 26: @@
 **[[cento_an:1ter_vadd|1TER v.add]]**  beendet, dem nachgeschobenen "alleluia" entsprechend die Antiphon. Die Silbe "//in// throno" sollte dem Cento entsprechend ein "fa" sein, die Variante mit "sol" gibt ihr mehr Gewicht.
 -------
+● Siehe, er kommt, der Gott und Mensch  vom Hause David,
+zu sitzen auf dem Thron, Halleluja.
+● Behold, he comes, the God and man of the house of David,
+to sit on the throne, alleluia.
+-------
+**[[cento_an:1inc_5pes|1INC 5Pes]]**. "//Éc//-ce //vé//-niet". The main statement right at the beginning, 2acc/ +\\
+[[neumen:neuma#circulatio]] (applicatio = affection).\\
+**[[cento_an:1med_triv|1MED triv]]**. Very short text, yet two accents. The crash to the "re" forms\\
+[[formulae:colon]] and leads the antiphon, which began almost triumphantly, to the level of the 2nd mode.
+{{ :ant:0024_comm.jpg?300|}}
+**[[cento_an:2inc_cadad4|2INC cad ad4]]** sets two-accented texts, the first of which is not unimportant, but is surpassed by the second accent. "//dé// domo //davíd//" "//from// the house of David" (Hebrew words are always finalised). The torculus on the final syllable (and accented syllable) is nk (a sentence-ending torculus). It decorates the name "davíd", but can also be understood as "mere" syneresis, due to too few syllables.\\
+**[[cento_an:2inc_cad|2INC cad]]** is the most frequent cento of the 2nd mode: the recitation "fa" is left on the accented syllable.\\
+**[[cento_an:1ter_vadd|1TER v.add]]** ends the antiphon corresponding to the subsequent "alleluia". The syllable "//in// throno" should be a "fa" according to the cento, the variant with "sol" gives it more weight.
+{%syn:analyse:ant:0024%}