[[cento:centologia#centones_missalis|🔘]] [[0001|IN]] [[0202|GR]] [[grad:0465|TR]] [[0294|AL]] **<fc #BD0C11>OF</fc>** [[0599|CO]] <fc #ffffff>xxxxx</fc> 
[[0480|1️⃣]] [[0479|2️⃣]] [[0494|3️⃣]] ✅ [[0490|5️⃣]] [[0502|6️⃣]] [[0504|7️⃣]] [[0482|8️⃣]] 
<fc #ffffff>xxxxx</fc> [[ant:0113|AN]] [[ant:7016|RP]] [[ant:9921|IV]]  [[alia:alia|alia]]
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[[0550]] ⟽ **[[cento_gr:cento_of4|OF 4]]** ⟾ [[0556]]
{%syn:title:grad:0989%}
[[0554|OF]] – [[0988|V1]] – **<fc #BD0C11>V2</fc>** <fc #ffffff>xxx</fc> [[grad:0989|⏹️]]
<fc #ffffff>xxx</fc> OT 95 - ON xx - BzG 72/22
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<fc #4682b4>"//sem//-per"</fc> Das “do“ in Kl spricht gegen ein “sa“, das “si“ ist problemlos zu singen.

  V2. Und sie mögen sein, dass dir gefallen / die Worte meines Mundes;
  und das Sinnen meines Herzens 
sei dir immer vor Augen.
  
  V2. And may the words of my mouth be pleasing to you;
  and may the thoughts of my heart always be before your eyes.

<fc #4682b4>“//sem//-per”</fc> The ‘do’ in Kl argues against an “sa,” the “si” is unproblematic to sing.
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{%syn:analyse:grad:0989%}