[[cento:centologia#centones_missalis|🔘]] [[grad:0001|IN]] [[grad:0202|GR]] [[grad:0465|TR]] **<fc #BD0C11>AL</fc>** [[grad:0481|OF]] [[grad:0599|CO]] 
<fc #ffffff>xxxxx</fc> 
[[0325|1️⃣]] [[0323|2️⃣]] [[0290|3️⃣]] ✅ [[0298|5️⃣]] [[0310|6️⃣]] [[0396|7️⃣]] [[0324|8️⃣]] 
<fc #ffffff>xxxxx</fc> 
[[ant:0113|AN]] [[ant:7016|RP]] [[ant:9921|IV]]  [[alia:alia|alia]]
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[[0353]] ← → [[0355]]
{%syn:title:grad:0354%}
[[0345]] ⟽ **[[cento_gr:cento_al#alleluia_4_typos|AL 4]]** ⟾ [[0374]]\\
[[1331]] ⟽ **[[cento_gr:cento_al#al_4a|AL 4a]]**           ⟾ [[0377]]<fc #ffffff>xxx</fc> 
[[grad:0354|⏹️]]<fc #ffffff>xxx</fc> GT 430 - GN 1/34 - BzG 23/9 
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<fc #4682b4>"Gau-de-te"</fc> Kl ad "do"
4.Modus und "sa" ? -  L.Agustoni EIGC: „si“ in Bezug zu „do“ oder unterem „Mi“; „sa“ in Bezug zu unterem „fa“; (in Bezug zu „sol“ oder „Mi“ ist das „b“ fragwürdig, sosehr es auch in späterer Tradition bestätigt ist). - Hier eindeutig Bezug zum "mi".
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V. Freut euch, ihr Gerechten, im Herrn / Den Aufrichtigen ziemt Lobgesang.

V. Rejoice, ye righteous, in the Lord / Praise is due to the upright.
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<fc #4682b4>“Gau-de-te”</fc> Kl ad ‘do’
4th mode and “sa”? -  L.Agustoni EIGC: “si” in relation to “do” or lower “Mi”; “sa” in relation to lower “fa”; (in relation to “sol” or “Mi,” the ‘b’ is questionable, even though it is confirmed in later tradition). - Here, there is a clear reference to “mi.”
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{%syn:analyse:grad:0354%}