[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] 
<fc #ffffff>xxxxx</fc> 
✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]] 
<fc #ffffff>xxxxx</fc> 
**<fc #BD0C11>AN</fc>** [[7009|RP]] [[9862|IV]]  [[alia:alia|alia]]
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[[1790]] ← → [[1792]]

{%syn:title:ant:1791%}

[[1781]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[1795]]

[[an_indiv:1791|↘️]]  [[rp_hmr:1791|🔄]]

{%syn:analyse:ant:1791%}

  Amavit eum dominus  / et ornavit eum / stolam gloriae induit eum /
  et ad portas paradysi / coronavit eum.

**[[cento_an:2inc_asc|2INC asc]]**\\ 
XXXX\\
**[[cento_an:2inc_asc|2INC asc]]**\\ 
XXXX\\

Auch hier sind praktisch alle Melodieteile authentisches Material, sie sind allerdings in unauthentischer Weise ineinander verwoben.
–––––––

{%syn:hs:ant:Xtab:1791:600%}

{%syn:hs:ant:1791%}