[[[cento:centologia|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] 
<fc #ffffff>xxxxx</fc> 
✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
<fc #ffffff>xxxxx</fc> 
**<fc #BD0C11>AN</fc>** [[7009|RP]] [[9862|IV]]  [[alia:alia|alia]]
------------------

[[0259]] ← → [[0261]]

{%syn:title:ant:0260%}

[[0250]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0261]]

[[an_indiv:0260|↘️]]

[[0242]] ⟽ **[[cento_an:1typ|1 TYP]]** ⟾ [[0261]] 

{%syn:analyse:ant:0260%} 



<fc #FFC700>★</fc> [[antiphon:reimantiphon|rima]] ([[0196]] ← → [[0317]]) Eine gereimte Antiphon, also eher spät, trotzdem in Hartker von 1. oder 2. Hand. 
Obwohl keine diastematische Handschrift dieses Stück kennt, ist die Norm-Melodie zweifelsfrei lesbar. 



  Innocentum passio / christi exsultatio /
  herodes confusus est / qui eos persecutus est.

**[[cento_an:1inc_clv|1INC Clv]]**\\
**[[cento_an:1med_typ|1MED typ]]** \\
**[[cento_an:1nov_typ|1NOV typ]]**\\  
**[[cento_an:1ter_conc|1TER conc]]** \\ 
–––––––

{%syn:hs:ant:Xtab:0260:450%}

{%syn:hs:ant:0260%}