[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]]
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✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
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**AN** [[ant:7009|RP]] [[ant:9862|IV]] [[alia:alia|alia]]
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[[1949]] ← → [[1951]]
{%syn:title:ant:1950%}
[[1947]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[1951]]
[[ant:1950|⏹️]]
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**[[cento_an:1inc_clv#3|1INC Clv-]]** mit vorgespannter Rezitation.\\
**[[cento_an:1med_typ#4|1MED typ]]** Der übliche Akzent "sa" ist übersteigert mit:\\
**[[formulae:rez_addo|FML Rez ad do]]**
**[[cento_an:1med_triv#m1|1MED triv]]** Form M\\
**[[cento_an:1ter_conc#5|1TER conc]]** verschmilzt mit\\
**[[cento_an:1ter_de3#1|1TER de3]]** \\
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● Sidrac, Misac und Abdenago, wie aus einem Munde
\\
sangen sie Hymnen dem großen König, Halleluja.
● Sidrac, Misac and Abdenago, as if from one mouth \\
they sang hymns to the great king, hallelujah.\\
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**[[cento_an:1inc_clv#3|1INC Clv-]]** with pre-stressed recitation.\\
**[[cento_an:1med_typ#4|1MED typ]]** The usual accent "sa" is exaggerated with:\\
**[[formulae:rez_addo|FML Rez ad do]]**
**[[cento_an:1med_triv#m1|1MED triv]]** Form M\\
**[[cento_an:1ter_conc#5|1TER conc]]** merges with\\
**[[cento_an:1ter_de3#1|1TER de3]]** \\
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{%syn:analyse:ant:1950%}