[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] 
<fc #ffffff>xxxxx</fc> 
✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]] 
<fc #ffffff>xxxxx</fc> 
**<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
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[[1656]] ← → [[1658]]

{%syn:title:ant:1657%}

[[1645]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[1661]]

[[ant:1657|↖️]] [[rp_hmr:1657|🔄]]
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**[[cento_an:2inc_cad#6|2INC cad]]**  2accM, 
 <fc #4682b4>"//ór//-ganis"</fc> nkPes liqu.accentus: + 
[[formulae:pecl#pot|FML potentiae]]\\ 
**[[formulae:alloq#1a|1FML alloq]]** \\
**[[cento_an:1med_typ#3|1MED]]** [[neumen:litterae#m_p|]] nur Incipit, daher "sa".\\ 
**[[cento_an:1ter_de5#1|1TER de5]]** \\
{{ :ant:1657_comm.png?200|}}

**[[formulae:rez_addo#1|1FML Rez ad do]]**  [[neumen:litterae#e|aequaliter]] Centoübergang.\\
<fc #4682b4>"fi-//at// cor"</fc> Das Abschwingen  der Rezitation "la" zum "sol" ist am Ende des Cento formeltypisch. Das Abschwingen //vor// dem Akzent "do" kommt nur zweimal vor: hier vor dem Oxytonon "cor",
<fc #4682b4> "fi-//at// cor"</fc> und in [[ant:1203]] bei <fc #4682b4>"Mors //et// víta"</fc>. \\
**[[cento_an:1ter_conc##|1TER conc]]**  accentus "falsi", nicht der letzte Akzent, sondern die letzte Silbe kommt zur Finalis: [[formulae:colon]] + [[neumen:litterae#c_st_x|exspectare]] \\
**[[cento_an:1ter_conc#2|1TER conc]]** POPO.
<fc #4682b4>"ut non confúndar"</fc>. Die 'concisitas' ist durch das eingeschoben "mi" vor dem letzten Akzent etwas zurückgenommen. Die heilige Cecilia ist doch bescheiden:
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● Unter dem Brausen der Instrumente 
pries Caecilia Gott und sagte: \\
Mein Herz bleibe rein, damit ich nicht zugrunde gehe.

● To the roar of the instruments, Caecilia praised God and said: \\
My heart remains pure so that I do not perish.\\
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**[[cento_an:2inc_cad#6|2INC cad]]** 2accM, 
 <fc #4682b4>"//ór//-ganis"</fc> nkPes liqu.accentus: + 
[[formulae:pecl#pot|FML potentiae]]\\ 
**[[formulae:alloq#1a|1FML alloq]]** \\
**[[cento_an:1med_typ#3|1MED]]** [[neumen:litterae#m_p|]] only incipit, hence "sa".\\ 
**[[cento_an:1ter_de5#1|1TER de5]]** \\
{{ :ant:1657_comm.png?200|}}

**[[formulae:rez_addo#1|1FML Rez ad do]]** [[neumen:litterae#e|aequaliter]] Cento transition.\\
<fc #4682b4>"fi-//at// cor"</fc> The fading of the recitation "la" to "sol" is typical of the formula at the end of the cento. The downswing //before// the accent "do" only occurs twice: here before the oxytonon "cor",
<fc #4682b4> "fi-//at// cor"</fc> and in [[ant:1203]] at <fc #4682b4>"Mors //et// víta"</fc>. \\
**[[cento_an:1ter_conc##|1TER conc]]** accentus "falsi", not the last accent, but the last syllable comes to the finalis: [[formulae:colon]] + [[neumen:litterae#c_st_x|exspectare]] \\
**[[cento_an:1ter_conc#2|1TER conc]]** POPO.
<fc #4682b4>"ut non confúndar"</fc>. The 'concisitas' is slightly reduced by the "mi" inserted before the last accent. St Cecilia is modest after all:
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{%syn:analyse:ant:1657%}