[[cento:centologia#centones_antiphonarum|🔘]] [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] 
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✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]] 
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**<fc #BD0C11>AN</fc>** [[ant:7009|RP]] [[ant:9862|IV]]  [[alia:alia|alia]]
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[[0402]] ← → [[0404]]

{%syn:title:ant:0403%}

[[0391]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0409]]

[[ant:0403|⏹️]]
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**[[cento_an:1med_triv|1MED triv]]** 1acc. "sol" verbindet die Centones.\\
**[[cento_an:1med_triv#asc|1MED triv]]**  2acc ad "la" [[formulae:colon]]\\
**[[cento_an:1ter_de3|1TER de3]]**

H verwendet einen eigenen Text der zu dieser Melodie wenig passt. "deus" der anderen Quellen ist in H durch "dominus" ersetzt. H muss //entgegen den Regeln// die Clivis vor dem letzten Akzent auf zwei Silben aufteilen. Warum H derart komponiert, ist nicht nachzuvollziehen. \\
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● Nach deiner großen Güte, Herr, erbarme dich meiner.

● According to your great goodness, Lord, have mercy on me.
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**[[cento_an:1med_triv|1MED triv]]** 1acc. "sol" connects the centones.\\
**[[cento_an:1med_triv|1MED triv]]** 2acc ad "la" [[formulae:colon]]\\
**[[cento_an:1ter_de3|1TER de3]]**\\

H uses his own text which does not fit this melody very well. "deus" in the other sources is replaced by "dominus" in H. H must //contrary to the rules// divide the clivis before the last accent into two syllables. It is not clear why H composes in this way. \\
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{%syn:analyse:ant:0403%}