[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0002|IN]] [[grad:0176|GR]] [[grad:0456|TR]] [[grad:0324|AL]] [[grad:0482|OF]] [[grad:0615|CO]] <fc #ffffff>xxxxx</fc> 
[[0001|1️⃣]] [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] ✅ 
<fc #ffffff>xxxxx</fc> **<fc #BD0C11>AN</fc>** [[ant:7001|RP]] [[ant:9815|IV]]  [[alia:alia|alia]]
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[[0168]] ← → [[0170]]
{%syn:title:ant:0169%}
[[0168]] ⟽ **[[cento_an:8typ|AN 8]]** ⟾ [[0171]] <fc #ffffff>xxxxx</fc>
[[ant:0169|⏹️]] [[rp_hmr:0169|🔄]]
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**[[cento_an:8inc_ad1|INC ad1]]** \\
**[[cento_an:1med_triv|1MED triv]]** + [[formulae:colon]]\\

**[[cento_an:8inc_ad1|INC ad1]]**
**[[cento_an:8med_cad|8MED cad]]**\\
**[[cento_an:8ter_dela|8TER de la]]** \\
**[[cento_an:8ter_katab|8TER katab]]** + 
[[formulae:supra#fml_supra]]\\

Eine geniale Komposition: Die beiden [[neumen:litterae#c_st_x|exspectare]] gliedern den Text so:\\ 
"Gloria in excelsis deo /<fc #ff0000>**x**</fc> et in terra pax /<fc #ff0000>**x**</fc> hominibus bonae voluntatis alleluia alleluia.“ \\
Der Melodieverlauf gliedert etwas anders:\\
"Gloria in excelsis deo /<fc #ff0000>**:**</fc> et in terra pax  hominibus bonae voluntatis /<fc #ff0000>**.**</fc> - álleluia alleluia.“ Das "alleluia" ist bloß nachgestellt.\\
Höhepunkt (höchster Ton) der Antiphon ist "ho-//mí//-nibus". \\
<fc #4682b4>"et in ter-//ra// pax"</fc> der kPes macht die Silbe zur Binnensilbe eines PPO: "et in **tér**ra pax"\\
<fc #4682b4>"bonae **vó**lun**tá**tis"</fc>Der kPes liqueszens betont die [[formulae:alloq|FML alloquium]] vor und nach dem PseudoTrc.

  Ehre sei Gott in der Höhe
  und auf Erden Frieden den Menschen guten Willens, Halleluja, halleluja.
  
  Glory to God in the highest
  and on earth peace  to men of good will, alleluia, alleluia.


**[[cento_an:8inc_ad1|INC ad1]]** \\
**[[cento_an:1med_triv|1MED triv]]** + [[formulae:colon]]\\

**[[cento_an:8inc_ad1|INC ad1]]**
**[[cento_an:8med_cad|8MED cad]]**\\
**[[cento_an:8ter_dela|8TER de la]]** \\
**[[cento_an:8ter_katab|8TER katab]]** + 
[[formulae:supra#fml_supra]]\\\

An ingenious composition: the two [[neumen:litterae#c_st_x|exspectare]] divide the text like this:\\ 
“Gloria in excelsis deo /<fc #ff0000>**x**</fc> et in terra pax /<fc #ff0000>**x**</fc> hominibus bonae voluntatis alleluia alleluia.” \\
The melody is structured somewhat differently:\\
“Gloria in excelsis deo /<fc #ff0000>**:**</fc> et in terra pax hominibus bonae voluntatis /<fc #ff0000>**.**</fc> - álleluia alleluia.” The “alleluia” is merely a postposition.\\
The climax (highest note) of the antiphon is “ho-//mí//-nibus”. \\
<fc #4682b4>“et in ter-//ra// pax”</fc> the kPes makes the syllable the internal syllable of a PPO: “et in **tér**ra pax”\\
<fc #4682b4>“bonae **vó**lun**tá**tis”</fc>The kPes liquesces the [[formulae:alloq|FML alloquium]] before and after the pseudoTrc.
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{%syn:analyse:ant:0169%}