[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0001|IN]] [[grad:0202|GR]] [[grad:0465|TR]] [[grad:0294|AL]] [[grad:0481|OF]] [[grad:0599|CO]] <fc #ffffff>xxxxx</fc> 
[[0001|1️⃣]] [[0019|2️⃣]] ✅ [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]] 
<fc #ffffff>xxxxx</fc> **<fc #BD0C11>AN</fc>** [[ant:7016|RP]] [[ant:9921|IV]]  [[alia:alia|alia]]
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[[0115]] ← → [[0117]]
{%syn:title:ant:0116%}
[[0114]] ⟽ **[[cento_an:qtyp|AN Q]]** ⟾ [[0118]] <fc #ffffff>xxxxx</fc> 
[[ant:0116|⏹️]]  [[rp_hmr:0116|🔄]]
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{{ :ant:0116_comm.png?300|}}
**[[cento_an:qinc|QINC]]**
[[neumen:oriscus:oriscus#vrg_mut|VrgStr]]. Nur das AM liest die VrgStr als Bipunctum.\\
**[[cento_an:qmed|QMED]]**  Das [[neumen:litterae#a_i | inferius]] sichert den konkreten Melodieverlauf, sonst wäre als Alternative //re// und Pes //do-re// denkbar. [[neumen:litterae#c_st_x|statim]] führt weiter zu.\\
**[[cento_an:qnov|QNOV]]**\\
**[[cento_an:qter|QTER]]** <fc #ff0000>**//si / sa//**</fc> Wc+ Bv21 //sa//

Tol + Lc + Ka vermeiden den Ton //si/sa//, auch Fo ist pentatonisch. Bv21 schreibt durch Schlüsselung //sa//.\\
Die Zisterzienser (Zw + Wm) verlegen die Antiphon zwar in den 7. Modus, verwenden aber durchgängig die originale Melodie: //si//

  Komm Herr zögere nicht; 
  tilge die Schandtaten deines Volkes Israel
  
  Come, Lord, do not delay; 
  blot out the iniquities of your people Israel

{{ :ant:0116_comm.png?300|}}
**[[cento_an:qinc|QINC]]**
[[neumen:oriscus:oriscus#vrg_mut|VrgStr]]. Only the AM reads the VrgStr as a bipunctum.\\
**[[cento_an:qmed|QMED]]** The [[neumen:litterae#a_i | inferius]] secures the concrete melodic progression, otherwise "re" and Pes "do-re" would be conceivable alternatives. [[neumen:litterae#c_st_x|statim]] leads on to.\\
**[[cento_an:qnov|QNOV]]**\\
**[[cento_an:qter|QTER]]** <fc #ff0000>**//si / si bémol//**</fc> Wc+ Bv21 //si bémol//

Tol + Lc + Ka avoid the note si/sa, Fo is also pentatonic. Bv21 writes //si bémol// through clefs.\\
The Cistercians (Zw + Wm) move the antiphon to the 7th mode, but use the original melody throughout: //si//
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{%syn:analyse:ant:0116%}